Still from the Cooing video, 2020. In this work, the artist attempts to see through the eyes of a child, inviting us to see ourselves anew
Cooing, 2020. Password: cooing. Camera: Mikhail Pashkulsky, music: Ilari Edelmann, dance artists: Valentina Lutsenko and Vadim Elichev
Black & Sea, 2015. Tereshko created this animation where she was eating herself as a metaphor for her feeling sorrowful and helpless to change the situation of the Russian-Ukrainian conflict of 2014
Just my Own, 2014. Tereshko explores our sense of our own body—while it is our home and ally, it can also feel alien, inconceivable, and even hostile
The Girl from the Urals, 2012. Performance documentation. In this video, Tereshko eats traditional Russian dumplings while singing an old Russian folk song, My Mother Wanted to Marry Me off.
low transition: from all fours to sitting on the knees 12-19. From the Movement series, 2019. Tereshko often explores the body and its representations in art; in this series, she looked at the body as a mechanical construction
arm 45-55. From the Movement series, 2019
From the Gaze series, 2019
From the Field series, 2019
Golden Shower. From the Modeling series, 2015-2019. Tereshko explored the roles of painter and model and the notion of male gaze through reinterpreting famous classical paintings—in this case, Rembrandt’s Danaë
Judith. From the Modeling series, 2015-2019
From the Why F exhibition, 2020. Borey Gallery, Saint Petersburg. Curator: Anastasia Kotyleva. In this solo exhibition, Tereshko reflected on her own interaction with paintings by Old Masters
From the Why F exhibition, 2020. Borey Gallery, Saint Petersburg. Curator: Anastasia Kotyleva