Railing/10. From the Railings. Playing with Gaps series, 2019-2020. The city is overwhelmed with fences and railings, which format our movements through space, affect us pshycoemotionally, communicate closeness, hostility of the cityscape
Railing/11. From the Railings. Playing with Gaps series, 2019-2020. Through copying and layering of the rigid structures, the artist deconstructs them and renders them unrecognisable, creating geometric abstractions
Railing/12. From the Railings. Playing with Gaps series, 2019-2020. These ambiguous images are an attempt to make peace with the unfriendly part of the urban space and overcome the alienation from the city
Railing/15. From the Railings. Playing with Gaps series, 2019-2020
Railing/16. From the Railings. Playing with Gaps series, 2019-2020
Railings. Playing with Gaps series, 2019-2020. Blazar exhibition, Moscow, 2020
Railings. Playing with Gaps series, 2019-2020. Blazar exhibition, Moscow, 2020
rom the Glimmer series, 2021. Here, Vlasova works with the idea of an abstract alternative image within the city and offers a different perspective on it
From the Glimmer series, 2021. Through the exploration of the marginal parts of the city, the artist captures fragments and motifs that become a glimmer abstraction
From the I’m a Little Tired, but That’s Okay series, 2021. The city in this series is tired; dilapidated and overgrown with something extrinsic, it is in a natural state of decay
From the I’m a Little Tired, but That’s Okay series, 2021. Under the many layers, the “body” of the city becomes unrecognisable, and it turns into a tired abstraction of itself
From the I’m a Little Tired, but That’s Okay series, 2021